While some users may find this undesirable, the upside of the design is that it can be used as a pseudo highpass filter, especially when envelope modulation is set to zero. That said, the Minilogue's filter circuit exhibits a distinctive low-frequency roll-off when the resonance is increased above 25 percent. When you crank up the resonance, the filter will self-oscillate in both modes, allowing it to function as a third sine-wave oscillator when keyboard tracking is set to full. The Minilogue and monologue have very different filters, with the Minilogue sounding a bit more like a Curtis filter, with both 2-pole (12 dB/oct) and 4-pole (24 dB/oct) options. It’s important to note that cross-mod FM is very different from the digital FM found on the Yamaha DX7 or Ableton Operator, but it’s great for nasty techno and electro effects. Depending on your envelope modulation amount, you can get everything from punchy kicks to disco toms.Īnother distinctive feature of the minilogue’s oscillator section is cross-modulation-an alternate term for analog FM-with oscillator 1’s output modulating the frequency of oscillator 2. For those types of percussion, turn off oscillator 1, set oscillator 2 to a plain triangle wave and give the auxiliary envelope an instant attack, zero sustain, and medium decay and release. Different models have different patterns, but on most models, these lights will stay lit the entire time a cycle is running, and the current status will blink.This envelope is also useful when creating tom and kick sounds.
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